This publication is the fruition of labor from members to the paintings and Cartography: Cartography and artwork symposium held in Vienna in February 2008. This assembly introduced jointly cartographers who have been drawn to the layout and aesthetics parts of cartography and artists who use maps because the foundation for his or her artwork or who contain position and house of their expressions. the result of bringing jointly those like minds culminated in a superb occasion, spanning 3 evenings and days within the Austrian capital. Papers, exhi- tions and installations supplied a discussion board for appreciating the endeavors of artists and cartographers and their representations of geography. in addition to indulging in an expansive and expressive get together attendees have been capable of re? ect all alone paintings and speak about comparable components in each one other’s paintings. It additionally allowed cartographers and artists to debate the potential of collaboration in destiny study and improvement. To know the signi? cance of this occasion, paper authors have been invited to extra strengthen their paintings and give a contribution chapters to this e-book. We think that this ebook marks either a signi? cant social gathering in Vienna and a place to begin for destiny collabo- tive efforts among artists and cartographers. The editors wish to recognize the paintings of Manuela Schmidt and Felix Ortag, who undertook the duty of the layout and format of the chapters.

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Conclusions: strong, undesirable or basically gruesome technological know-how? . . . . . . . . . . . . . a hundred thirty five 137 138 143 thirteen Map variety . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one hundred forty five Alexandra Benová and Ján Pravda thirteen. 1 thirteen. 2 thirteen. three thirteen. four advent . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Map Style-Forming elements . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Map variety type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Conclusions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one hundred forty five 146 147 153 xvi desk of Contents 14 the realm photo in Maps – From the previous a while to Mercator . . . . . . a hundred and fifty five Mirjanka Lechthaler 14. 1 14. 2 14. three 14. four creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . A stroll during the background of Cartographic Representations . . . . Gerhard Mercator – inventive Cartographer . . . . . . . . . . . . . . . . . . Concluding innovations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . a hundred and fifty five 156 166 173 part IV: built-in Media . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . one hundred seventy five 15 Mapping Literature: in the direction of a Geography of Fiction . . . . . . . . . . . . 177 Barbara Piatti, Hans Rudolf Bär, Anne-Kathrin Reuschel, Lorenz Hurni and William Cartwright 15. 1 15. 2 15. three 15. four 15. five creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cartography and Literary reviews – a gathering of Disciplines . . . . vague Geography: Mapping recommendations for unmarried Texts . . . . . . The Quantitative technique: A Database for Fictional areas . . . . . Outlook: A Prototype of a Literary Atlas of Europe . . . . . . . . . . . . 177 178 183 189 191 sixteen hard the electronic Cartographic Continuity procedure: classes from Cinema . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 193 Sébastien Caquard and Benjamin Wright sixteen. 1 sixteen. 2 sixteen. three sixteen. four creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Technological Maps and the Continuity approach . . . . . . . . . . . . . . . From Continuity to Reflexivity: The Cinematographic process . views: towards a Cinematic Reflexivity in Cartography . . . . 193 195 199 202 17 On Written Language in artworks and Cartography . . . . . . . . . . 207 André Skupin and Marinta Skupin 17. 1 17. 2 17. three 17. four creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . textual content in Cartography . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . textual content in modern Visualisation . . . . . . . . . . . . . . . . . . . . . . . . textual content in artwork . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 207 208 213 216 18 Imagining Europe . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223 Christian Spanring and Emanuel Andel 18. 1 18. 2 18. three 18. four Projection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . interplay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Cartographic facets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Technical facets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223 224 225 226 Table of Contents xvii part V: Non-Graphics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 227 19 Dots, strains, parts and phrases: Mapping Literature and Narration (With a few comments on Kate Chopin’s “The Awakening”) . . . . . . . . 229 Armin von Ungern-Sternberg 19. 1 19. 2 19. three 19. four 19. five 19. 6 Maps and Literature . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Spatial points of Literature . . . . . . . . . . . . . . .

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