This anthology, conscientiously reproduced from infrequent portfolios, provides over 40 of these works, by means of artists starting from the fifteenth century Italian Filippino Lippi to the nineteenth century French classicist, J. A. D. Ingres. integrated are such highlights as a Michelangelo examine for a useless Christ; drawings of seated girls by means of Rembrandt; a examine by means of Rubens for Daniel within the Lions' Den, and perfect nudes through Tintoretto, Titian, Andrea del Sarto, Raphael, Pontormo, and different celebrated artists.
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Extra info for Old Master Life Drawings: 44 Plates (Dover Fine Art, History of Art)
Pen and ink on white paper; one hundred sixty × a hundred and twenty mm. Uffizi Gallery, Florence. Cecco Bravo (Francesco Montelatici; ca. 1600—1661). examine of a nude formative years. Sanguine and black chalk on white paper; 333 × 230 mm. Uffizi Gallery, Florence. Jacopo da Empoli (Jacopo Chimenti; 1554—1640). Seminude male determine. Sanguine on white paper; four hundred x 240 mm. Uffizi Gallery, Florence. Jacopo da Empoli. learn of a early life bare to the waist. Sanguine. Pierpont Morgan Library, big apple. Francesco Furini (1604—1646). woman nude noticeable from the rear. Sanguine on white paper; 350 × 2 hundred mm. Uffizi Gallery, Florence. Gervasio Gatti (Il Sojaro; 1549—1631). research for Saint Sebastian. Pencil and pen with lead heightening on cerulean paper; 240 × 430 mm. Uffizi Gallery, Florence. Jean-Auguste-Dominique Ingres (1780-1867). research of a reclining woman. Graphite. Library,École des Beaux-Arts, Paris Filippino Lippi (1457—1504). A nude with employees, jogging. Silverpoint heightened with white on grayish paper; 275 × eighty five mm. Print Room, Dresden. Michelangelo (Buonarroti; 1475—1564). stories for: a determine and the best hand of the Libyan Sibyl for the Sistine Chapel; six certain slaves for the tomb of Julius II; a cornice. Sanguine; 285 × 195 mm. Oxford collage Galleries, Oxford. Michelangelo. research for a useless Christ. Black chalk; 225 x 320 mm. Louvre, Paris. Raffaele de Montelupo (Sinibaldi; 1505? -1556). young ones taking part in at sizzling cockles; nudes. Pen and ink; 275 x 370 mm. Uffizi Gallery, Florence. Charles Natoire (1700—1777). stunned nymph. Sanguine on brownish-gray paper; 382 × 207 mm. university of Pollaiuolo. A nude with folded palms. Pen and bister; 260 × eighty mm. Jacopo Pontormo. learn for a lifeless Christ. Sanguine; 353 × 279 mm. Uffizi Gallery, Florence. Jacopo Pontormo. research of a nude seated at the floor. Black chalk; four hundred × 260 mm. Uffizi Gallery, Florence. Jacopo Pontormo. Recumbent determine, foreshortened; à seated baby. Black chalk; four hundred x 280 mm. Uffizi Gallery, Florence. Raphael (Raffaello Sanzio; 1483—1520). Nude research of a guy preserving a vase on his head. Pen and bister. Rembrandt (Harmenszoon van Rijn; 1606-1669). Seated lady. British Museum, London. Rembrandt. Seated girls. Louvre, Paris. Rosso Fiorentino (Giambattista Rossi; 1494—1541). learn for a male torso; a head for a similar determine. Sanguine. Pierpont Morgan Library, big apple. Peter Paul Rubens (1577—1640). A research for Daniel within the Lions’ Den (National Gallery, Washington). Black chalk. Ventura Salimbeni (1568—1613). lady nude. Sanguine; 330 × 230 mm. Uffizi Gallery, Florence. Andrea del Sarto (1487—1530/31). learn of a tender guy. Sanguine; 395 × 2 hundred mm. Louvre. Paris. Andrea del Sarto. lady determine. Black chalk on white paper; 260 × a hundred ninety mm. Uffizi Gallery, Florence. Andrea del Sarto. Male determine. Sanguine on crimson paper; 265 × 2 hundred mm. Uffizi Gallery, Florence. Andrea del Sarto. Male half-figure. Sanguine on white paper; a hundred ninety × a hundred and fifty mm. Uffizi Gallery, Florence. Andrea del Sarto. research of a kid. Sanguine on white paper; 250 × one hundred sixty five mm. Uffizi Gallery, Florence. Andrea del Sarto. stories of youngsters. Sanguine on white paper; two hundred x 275 mm.
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